As mentioned in my last post, I am looking for finding an agent so I can get my book published. But agents aren’t editors. They don’t work for publishing companies. Then, why do I need one?
Well, the short answer is that because they work for me.
Okay, that’s a super short answer. An agent is the support staff for a writer. One thing that I’ve heard from countless lectures I’ve gone to with editor/agent speakers, is that the publishing business would crumble without the writer. Therefore, everything is pretty much built upon what the writer produces. Publishers want you to produce something awesome that will sell. Editors, and mostly agents, are the ones that help the author do this.
This is the breakdown of what an agent does as far as I know:
- They support the writer
- Help the writer manage their career
- Manage the rights to the books
- Be the writer’s advocate
- Act as a bridge between you and the editor
The agents are going to be the star quarterback for team Writer. A legit agent doesn’t get paid until you, the writer, does. They take a small percentage, but for what they do it seems worth it. They’re the ones who help you with revision. They’re the ones with the connections in the publishing world. They make sure they you get the most you can for your work.
Finding the right agent is like dating. You want to make sure that you click with one another. So, when you’re looking for an agent, make sure you do your research. This is some great advice that one of my professors passed on to me this summer. Literary Rambles is a great resource. They’ve got links to various agents and have collections of interviews and articles with the agent listed online.
Lastly, two things to keep in mind.
- Most publishing houses won’t look at manuscripts if a writer doesn’t have an agent
- Even with an agent, there is a chance that your book won’t be picked up for publication
So that’s what I got. Agents = good. As writers we need them, and they need us. When I finally get an agent, cookies will be sent.
In a little while, I’ll post about the querying process (the process of trying to get an agent to take you on), so until then, have a good one!
Well, I’m getting ready to head off to my MFA program for the last time. I have super mixed feelings about it. On the one hand…
- I am beyond excited to get up to school and spend time with my Nerd Herd (I don’t think they know I refer to them as that, but they probably will now. And I think they’ll like it.)
- I love the classes and can’t wait to be in a physical classroom again learning.
- I love the location of my program and just feel so at home there. I mean, where I live now it awesome, but there is soooo much more up there.
- And I’m really excited to be nearing the end of my degree and all that means.
But on the other hand…
- I’m going to be done with my degree before I know it. No more fun classes. No more going to Nerd Camp.
- I have to leave my new husband for 6 weeks.
- I will miss my husband’s birthday…
- Did I mention that I’ll miss my husband?
- I won’t have any income for 6 weeks.
So there’s a lot swirling around in my mind. The lists above only scratch the surface. But don’t take away the wrong idea. I’m not unhappy, just conflicted.
But my ramblings are not the full focus of this post. This post is about writing, believe it or not. And my own writing to boot.
I’ll go more into this in a future post, but I’ve been tracking my word count, day by day, for almost a month now. I have been forcing myself to sit down at the computer and just write damn it. Some days I’ll only get a few hundred words. Other days, I’ll get a couple thousand down on the page. Are they all the final words? Hell no! They are my road map. I know that there are blanks that I need to go and fill in, but that’s for another draft.
This draft will be my first, complete draft of my novel. I have been working on it for around five years now. Why has it taken me that long to write one full draft?
- I didn’t force myself to write as much as I have in the last few weeks
- I’ve been working on this for several different workshop style classes and in those classes people want to read your stuff, critique it, and then see the changes. I’ll tell you I’ve had countless drafts of Chapter One, but only one draft of chapters 10, 11, and 12.
- I’m lazy
- I’m not pushing myself to be a writer. <—— THIS IS BAD
So, the whole point of this is to pass along some more advice to you. Don’t be like me. Or, well, the old me. Don’t over edit a few chapter while never writing any of the others. Be like the new me. Write as often as you can and take notes on what you know you need to add in later.
However, this way might not work for everyone. What’s your writing style?
Read What Scares You:
Read Anything and Everything
This step goes hand in hand with the last step. Step 2 was all about reading all the time. Seriously, read more than you sleep if you can help it. This one is more focused on what you choose to read.
Let me start off with what Chuck has to say…
“Here then is the prison that writers build for themselves: it becomes harder and harder to read purely for pleasure. Reading for pleasure often means sticking to a few genres, with a few authors — “Oh, I like fantasy, so I only read fantasy fiction,” or, “I love the Detective Cashew Pepper series by K. J. Staplebottom, and I’ve read up to #47 in the series.” That privilege has been revoked. You now must read widely, weirdly, wisely. Read everything. Move outside your desired library. Read obscure British literature. Read poetry. Read non-fiction. Read science-fiction even though you hate science-fiction. If you want to do what everybody else is doing, fine, read only in your pre-existing sphere of influences. But this is about improving your work, not treading water like a poodle who fell off a boat.”
This is a amazing advice and something that I don’t think enough people hear enough. Like I mentioned before, writers are always told to write everyday. I mean that’s advice that’s across the board good to know and good to pass along. And yes, writer’s are also told to read a lot. However, I think people (me included) pigeon-hole themselves when it comes to the content of what they choose to read. Me? I’m not big on realistic fiction. I tend to read just fantasy. And that’s LAME! If I never read realistic fiction then I would never have found John Green (whom I love and I tend to study his dialogue like no one’s business). But see! If I never read him, I’d never have seen how awesome his dialogue is, and my dialogue might be a little less awesome. (Writer’s tend to know what they’re good at and where they feel like they suck: I’m good at dialogue and super sucky at description…)
So what I’m going to do is include some various reading lists. I don’t think I’ll have a chance to read any of them by next week, but I think we could all get started on a new book. Pick one from a genre that is totally opposite what you typically read/write. See what makes it awesome and what you can learn from it.
Check out these lists:
Just Keep Reading:
Read like there’s no tomorrow
Here we go. Another way to becoming a better writer.
Apart from being told to write sometime everyday, another piece of advice that gets passed around a lot is that writer’s need to read. Read all day every day if you can. If you can’t, set aside some reading time. Instead of TV after work, curl up with a book and read for 30 minutes. Take a book with you to work and read on your lunch break. In his book On Writing, Steven King even suggests keeping a book with you at all times and read whenever you have a free second – in line at the grocery store, waiting for someone who is meeting you for lunch… Also, King suggests that audio books can count, so listen to them in the car. That’s pretty much the reason I have a library card now. I can’t afford audio books all the time, so checking them out is soooo much better.
But, why should you read all the time? Here’s what our list master Chuck Wendig has to say:
“The world is home to — *does some quick math on fingers, toes, testicles, nipples, and teeth* — 45 smajillion books. Each of them often containing somewhere north of 50,000 words. And new books hit the atmosphere every day. You do not need to read all of these books. But you should act as if that is indeed your task, carving your way through the world’s cumulative body of the written word one tome at a time. If you want to write, you’re coming in at the ground level of these 45 smajillion books written by 33 fnuhzillion different writers. You are a but a mote in the reader’s eye. You want to compete? Read. Learn what other writers are doing. Absorb it with that schnapps-laden sponge you call a brain.”
See what others are doing. I mean, they are published so they have to be doing something right. Look at how these published writers weave their story together. To really notice that, if you’re like me, you’ll have to read a book at least twice: Once to get the plot and once to see how the writer builds and shapes the story. Try and pay attention to the logic within the story and how a particular author handles dialogue and characterization. Look at your favorite writers and try and figure out not only why they are your favorites but how they’ve accomplished that.
Alright, so Tuesday I shared with you the first step on how to become a better writer. It’s easy for me to sit here and tell you what to do, but harder for me to actually do it. So, I took my own advice, because if I don’t who will? And did one of the writing prompts.